They portrayed the Duke brothers, Randolph and Mortimer, respectively. The Duke brothers, who clearly feel they are above everybody else, make a bet, for one dollar, over whether anybody regardless of breeding can, in the right environment, become an upper-crust gentleman. So as an experiment to see which one is right, they work circumstances so that the rich Louis Winthorpe III is turned into a miserly bum, while they have Billy Ray Valentine take his place. He takes over Louis’s job, his house, and his standing in the community. Well, no, not really, but this is a farce, so it doesn’t really have to be. Enjoy a collection of popular favorites in Spanish – CNN en Español, Discovery en Español, Discovery Familia, ESPN Deportes, History Channel en Español, and Universo.
It was seen as a substantial increase in spite of increased ticket prices. Even so, the year was a mixture of unexpected successes and disappointments. Films like Superman III and the action comedies Smokey and the Bandit Part 3 and Stroker Ace had failed at the box office. The science fiction comedy The Man With Two Brains featuring an established star in Steve Martin had also underperformed. Conversely, Flashdance was an unexpected hit and the third highest-grossing film of the year, despite a negative critical reception. In September, The New York Times wrote that Trading Places was the only film of the fifteen top-grossing films that could be recommended without reservation.
She was dismissed as only a horror film star before her critically well-received breakthrough performance in stock trading robots. Watch full seasons of exclusive series, classic favorites, Hulu Originals, hit movies, current episodes, kids shows, and tons more. Of course, we would not be able to offer this wonderful merchandise without the thousands of Suppliers who have moved, downsized, relocated or continue to redecorate their homes on a regular basis. Trading Places is a venue and marketplace for sellers to showcase their furniture and home decor, on consignment, and receive top dollar from the proceeds of the sale.
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Other minor roles include Ron Taylor as «Big Black Guy», American football player J. T. Turner as «Even Bigger Black Guy» who only says «Yeah!», and Giancarlo Esposito as a cellmate. Trading Places also features the final theatrically released performance of Avon Long who plays the Dukes’ butler Ezra.
Canby said the pair had well-written roles that were supported by their comic performances. He continued that Ameche was as funny in Trading Places as he was always meant to be. I skimmed over the comments to this movie and was heartened to see that so many people love it like I do.
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Where the earlier films espoused the benefits of things other than money, Trading Places is built around the value of money and those who aspire to have it. The heroes win by making lots of money; the villains are punished by becoming part of the impoverished. The heroes’ reward is escaping to a tropical island, completely divorced from the poverty-stricken neighborhoods that had previously been their home. Money is demonstrably a solution to all of the problems raised in the film, and when it is taken away, it is shown that people quickly resort to a basic criminal nature. It can be seen as an example of supply-side economics, alongside films like the comedies Arthur and Risky Business . The central storyline of Trading Places—a member of society trading places with another whose socio-economic status stands in direct contrast to his own—has often been compared to the 1881 novel The Prince and the Pauper by Mark Twain.
At the time, the share was generating an average of $10,000 per annum. A musical adaptation of Trading Places debuted at the Alliance Theater in Atlanta, Georgia, on June 4, 2022. Trading Places also employs several conventions of its Christmas setting to highlight the individual loneliness of the main characters, in particular, Winthorpe. On Christmas Eve he humiliates himself in front of his former bosses, unwittingly losing his opportunity for his swap with Valentine to be undone by having become a criminal. He attempts suicide and only fails because the gun does not fire; then it begins to rain on him.
Valentine becomes well versed in the business, using his street smarts to achieve success, and begins to act in a well-mannered way. If there’s a running theme in this movie, it is duplicity and mistaken identity. People are constantly being mistaken for something they are not, or forced into a situation where they become something they are not. Upper-crust executive Louis Winthorpe III and down-and-out hustler Billy Ray Valentine are the subjects of a bet by successful brokers Mortimer and Randolph Duke .
The season featured expected hits such as the third installment in the Star Wars series, Return of the Jedi, Superman III, and the latest James Bond film Octopussy. Studios had to strategize their releases to avoid damaging their own films’ performances by pitting them against better-performing competition. Paramount Studios opted to release Trading Places at the start of summer, as those films expected to do well would benefit from being in theaters longer during this busy period. Comedy films were considered counterprogramming that attracted audiences who had already seen, or were not interested in, the major film releases that were mainly focused on science-fiction and superheroes. Trading Places was released between Return of the Jedi in May and Superman III in mid-June. While sequels were expected to do well having the advantage of a built-in audience, Trading Places was predicted to be successful based on its cast.
On the commodities trading floor, the Dukes commit their holdings to buying frozen concentrated orange juice futures contracts, legally committing themselves to buying the commodity at a later date. Other traders follow their lead, driving the price up; Valentine and Winthorpe short-sell juice futures contracts at the inflated price. Following the broadcast of the actual crop report and its prediction of a normal harvest, the price of juice futures plummets.
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The pair determined that the commodities market would make for an interesting setting for a film, as long as it was not about the financial market itself. It was decided to set the story in Philadelphia because of its connections to the founding of the United States of America, the American dream and idealism and the pursuit of happiness. This was tempered by introducing Billy Valentine as a black man begging on the street.
Several publications have attempted to explain exactly how Valentine and Winthorpe make a large sum of money on the commodities market while simultaneously bankrupting the Dukes. The fake crop report created by Valentine and Winthorpe indicates to the Dukes that the orange crop will be poor, making the limited stock more valuable. The Dukes attempt to buy up as many Frozen Concentrated Orange Juice futures contracts as possible to corner the market—effectively owning a substantial enough number of contracts that they are able to control the price of FCOJ. The other brokers realize what the Dukes are doing and join in buying futures.
- Harris and Weingrod were nominated for Best Original Screenplay; they lost to Paul D. Zimmerman for the 1982 black comedy The King of Comedy.
- In particular, Murphy became one of the highest-paid and most sought after comedians in Hollywood.
- The other brokers realize what the Dukes are doing and join in buying futures.
- Then-production vice president of MGM/UA studio Peter Bart described it as a «gimmick» film that focused on a «high-concept» over story and characterization.
- The film was also released in a pack that included Coming to America.
- It was decided to set the story in Philadelphia because of its connections to the founding of the United States of America, the American dream and idealism and the pursuit of happiness.
- Of course, we would not be able to offer this wonderful merchandise without the thousands of Suppliers who have moved, downsized, relocated or continue to redecorate their homes on a regular basis.
The film was well-received critically and considered a significant commercial success, along with Flashdance and Return of the Jedi. Then-production vice president of MGM/UA studio Peter Bart described it as a «gimmick» film that focused on a «high-concept» over story and characterization. Bart believed its success triggered a negative trend that resulted in him receiving numerous film pitches—often a mix of the high-concept nature of Trading Places with a Flashdance-inspired breakdancing or gym setting. Harris recalled people asking if the producer Aaron Russo or Katzenberg had created the idea and just paid him to write it. He said he knew it was a success because people were trying to take credit for it. Harris and Weingrod researched the commodities market for the script.
There are no featured reviews for Trading Places because the movie has not released yet (). S review, the reviewer concluded that the middle segment of the film lacked humor. People said that the ending was perfectly presented, but Arnold considered it to be confusing and reliant on the audience’s knowledge that the «heroes» were being heroic to compensate for a lack of clarity in their actions.
The following day offers a Christmas redemption and a change of fortune as Winthorpe is integrated into the non-traditional family unit of Coleman, Ophelia and Valentine. The 37th British Academy Film Awards named Elliott and Curtis the Best Supporting Actor and Best Supporting Actress, respectively. Harris and Weingrod were nominated for Best Original Screenplay; they lost to Paul D. Zimmerman for the 1982 black comedy The King of Comedy. 1983, entirely on location in Philadelphia, Pennsylvania, and New York City. Elmer Bernstein scored the film, using Wolfgang Amadeus Mozart’s opera buffa The Marriage of Figaro as an underlying theme.
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This reflected the fact that average audiences were aging and now in their late teens to late 20s, and led to a shift in focus away from making films targeted mainly at children. His rapid rise to fame led to Murphy leaving Saturday Night Live the following year; he said he had grown to dislike the job and felt he was resented for his success. He and Landis had collaborated previously on several films including The Blues Brothers and the horror-comedy An American Werewolf in London . Landis conceived of the idea to use the opera buffa The Marriage of Figaro by Wolfgang Amadeus Mozart as the underlying theme for the score.
Arnold called the role «stale» and «predictable» but felt Curtis offered an «infectious» humor that earns the audience’s support. People said that she had a significant appeal, and Kempley called her both «curvaceous» and «vivacious». Canby said that in her first major non-horror role, Curtis performed with «marvelous good humor». Kehr criticized Landis for often turning his heroines into «busty bunnies», and said that he had treated Curtis the same way.
The Duke & Duke upstairs offices were filmed inside the upstairs of the Seventh Regiment Armory in New York. Murphy’s character, pretending to be crippled, is introduced in Rittenhouse Square. The nearby Curtis Institute of Music, shown as the exterior of the Heritage Club, is seen adjacent to Rittenhouse Park in the film’s opening. The interior was filmed at the then-abandoned New York Chamber of Commerce Building. During filming in Philadelphia, Murphy was so popular that a police officer had to be stationed outside of his trailer to control the crowds.
Harris has described the story as a satire of greed and social conventions, but in the end, the good guys win by becoming extremely rich. Economic inequality is demonstrated by the wealthy who live in luxury. They are completely removed from those whose lives are affected by poverty.
As part of their revenge against the Dukes, Winthorpe disguises his identity by donning blackface makeup, an act enabled by Valentine who has helped loosen up this strait-laced character. This requires Valentine to accept and support Winthorpe despite having numerous reasons to dislike him, including originally getting Valentine wrongly arrested and then later trying to frame Valentine to reclaim his old job. Even so, Valentine befriends Winthorpe and helps him get revenge on the Dukes, the old establishment characters who demonstrate explicit racism. The film requires Valentine to act «white», performing as is expected of him to survive in the Dukes’ world.